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{#52} Old Jacket, New Boots

{#52} Old Jacket, New Boots

We were the first vehicle at the trailhead that morning. Snow was falling, not sideways or dramatic, just steady and confident. South Fork Canyon sat in that narrow winter window where the temperature hovers just above indecision: cold enough for clean flakes, warm...
{#51} What Winter Knows About Sleep

{#51} What Winter Knows About Sleep

I’ve read too much about sleep lately. And I’m working on it—which seems oxymoronic. Shouldn’t I just be mostly unaware for seven or eight hours? Like so many modern fixations, we assume that if we study something long enough, we can get a handle on it—even when it’s...
{#50} Fall Line

{#50} Fall Line

In storytelling, a throughline is the line of force that carries a narrative forward. It’s the path a story naturally wants to take—the most direct route from premise to resolution. When it’s sound, everything else can hang from it. When it’s unexamined, the story...
{#49} Against the Grain

{#49} Against the Grain

It wasn’t that long ago that a new trail began to appear across a slope that had previously been accessed only by a steeper line. At first, it wasn’t really a trail at all—just deep horse and elk tracks pressed into late-spring mud once the frost finally let go. I...
{#48} Routine or Ritual?

{#48} Routine or Ritual?

The other day, I drove up the canyon to “check if it’s still there,” or so I told my daughter on the phone as I accelerated. I didn’t have a question in mind as I drove. There’s always something waiting at home—unfinished work, loose worries—and lately there’s even...
{#47} Approximate by Design

{#47} Approximate by Design

I first learned to read the clock in abouts. Half past. Quarter till. Top of the hour. About nine o’clock. Before atomic time and the internet, even the first digital watches got ahead of or trailed exact time. You adjusted them by feel. A minute fast. A little slow....