Select Page

{#45} Eagles in the Sky

I had just flipped a U-turn at the top of South Fork Canyon and started heading back down when I saw it—first only a lazy V of a large, dark bird gliding above the road. Its slow, effortless steadiness convinced me it was a raptor. I watched it, curious, until it banked. That’s when the light caught its tail: a bright white flare against the darker mountain slope.

My heart lifted. My foot eased off the gas.

“Look at its tail lights,” my wife said—her perfect name for that bright white patch announcing exactly what we were seeing before the head ever came into view.

It rose and settled on the top of a tall spruce—a bald eagle perched like a sentry where we’d least expected it. It sat for a long moment, fully revealed: white hood, yellow beak, dark body, white tail, yellow talons. No hurry. No fear. Just quiet sovereignty.

Then it launched.

{#44} Storing Sunlight

Trees don’t grow from the ground—they grow from the air.

Here’s how: leaves pull in carbon dioxide, and sunlight breaks the molecule apart, sending the oxygen back into the sky while keeping the carbon.

Step by step, the tree stitches that carbon into sugars, then into cellulose and wood. It’s a slow, steady assembly line powered entirely by light—sunlight turning into substance.

And it raises a curious question: which came first—the carbon dioxide or the leaf? The leaf can’t exist without carbon, yet the carbon doesn’t become anything without the leaf. Life seems to answer by moving in circles, not lines—a continual exchange, each step borrowing from the one before.

Someone recently gifted me this perspective. I was struck—no, dumbstruck—with one more example of Nature’s full-circle nature. Pun intended.

{#43} A Swiftly Tilting Planet

Madeleine L’Engle once borrowed this phrase for a story about time, light, and the battle between darkness and hope. I’ve borrowed it again because the title itself feels like a season—something on the move, as if the world were leaning toward winter. We speak that way every fall, saying the planet is “tilting” or “turning away from the sun,” when in truth it isn’t.

Earth’s axis holds firm, steady at twenty-three and a half degrees, like a door slightly ajar.

What changes isn’t the tilt but our relationship to the light.

As we orbit, the sun’s angle shifts across our sky, and everything else—shadow, temperature, mood—follows. It feels as if the world itself is sliding off balance, but the truth is simpler and more beautiful: the constancy of that angle is what gives us the seasons.

{#42} Names We Hear and Smell, Names We Don’t

We don’t always see, hear, or smell what others once did. Those who named plants, though, must have. They lingered long enough to catch the quiver, the sting, the fragrance. A name becomes a shorthand for attention—a memory pressed into language.

Every fall, it’s hard not to notice quaking aspens as they briefly burst into yellow before dropping their leaves. I recently found myself standing solo in a sacred grove of yellow giants as the wind swept down the canyon. I could hear the gust coming toward me, then surround me, then pass. Eyes closed, I could have still tracked the wind as it moved along.

The word quaking isn’t fanciful. An autumn wind wakes each tree in turn. Leaves shimmer—silver to green to silver again—before settling as the gust slips down the draw. To me, it’s just motion. To someone listening closely, it was quaking. The name carries the sound of the mountain itself.

{#41} Grounded

With the seasons changing, I’m writing this in near-dark early one morning. My screen glows in my face—an otherworldly glow that illuminates my workspace. Out of habit, I unplugged my device right after I woke—we both should be fully charged. I’m awake and rested myself, yet I feel untethered—unsure about my own connection. How do I get there? How do I reach the same level of fully charged for the day ahead?

The Apostle Paul once urged that we be “rooted and grounded in love” (Ephesians 3:17). He mixed his metaphors with purpose—roots sinking deep into soil, foundations fastened to bedrock. Stability. Nourishment. Strength. In another letter he urged believers to remain “stable and steadfast, not shifting from the hope of the gospel” (Colossians 1:23). To be grounded, Paul insists, is not optional.

Jesus said the same in simpler terms: “Abide in me, and I in you… for without me ye can do nothing” (John 15:4–5). Disconnected, we wither. Abiding, we flourish. Made of glass and circuitry, my phone wouldn’t last more than 24 hours on its own. Can I?

{#45} Eagles in the Sky

I had just flipped a U-turn at the top of South Fork Canyon and started heading back down when I...

{#44} Storing Sunlight

Trees don’t grow from the ground—they grow from the air. Here’s how: leaves pull in carbon...

{#43} A Swiftly Tilting Planet

Madeleine L’Engle once borrowed this phrase for a story about time, light, and the battle between...

{#42} Names We Hear and Smell, Names We Don’t

“And whatsoever Adam called every living creature, that was the name thereof.” — Genesis 2:19 We...

{#41} Grounded

With the seasons changing, I’m writing this in near-dark early one morning. My screen glows in my...

{#40} Center of Gravity

I took some family members hiking recently to see if we could locate Native American rock art in...

{#39} Worm

In June and July, only the earliest risers catch the quietest hour. Pre-dawn. First light....

{#38} Summer Rain

This year, my area went ninety-six days without measurable precipitation. By now, we’d typically...

{#37} Shade: Darkness from Light

Step from sunlight into shade on a summer day, and your body knows the difference before your mind...

{#36} Hard of Hearing

People around me often speak, but I don’t hear them—or at least not clearly. It’s not that I’m...

Recent Field Notes

{#44} Storing Sunlight - Trees don’t grow from the ground—they grow from the air. Here’s how: leaves pull in carbon dioxide, and sunlight breaks the molecule apart, sending the oxygen back into the sky…
{#43} A Swiftly Tilting Planet - Madeleine L’Engle once borrowed this phrase for a story about time, light, and the battle between darkness and hope. I’ve borrowed it again because the title itself feels like a…
{#42} Names We Hear and Smell, Names We Don’t - We don’t always see, hear, or smell what others once did. Those who named plants, though, must have. They lingered long enough to catch the quiver, the sting, the fragrance.…
{#41} Grounded - With the seasons changing, I’m writing this in near-dark early one morning. My screen glows in my face—an otherworldly glow that illuminates my workspace. Out of habit, I unplugged my…
{#40} Center of Gravity - I took some family members hiking recently to see if we could locate Native American rock art in the foothills near town. A year earlier I’d dropped a pin in…
{#39} Worm - In June and July, only the earliest risers catch the quietest hour. Pre-dawn. First light. Morning’s earliest names belong to those who trade sleep for stillness. A pink sky rises…

Book—The Meadowlark

Overview

In 1885, southeastern Idaho was the last part of the country to open for homesteading. Young Cassie Rapp arrives with her family to farm a country overrun by sagebrush and lacking water. With others they meet, they harness the mighty Snake River and turn 100,000 acres of barren earth into the rich farm community it is today.

Meanwhile, modern-day character Emma Rose, a notable speaker and business consultant, is trying to make sense of her recently deceased father’s request to be buried in a small Idaho town. Her journey of discovery begins from there.

News, Coverage, and Updates

1,000 copies sold!

Podcast: Interview on “Start Writing #134” (YouTube or all platforms)

Audible audio version now available here.

Read coverage in East Idaho Business Journal – “East Idaho Native captures the feeling of hometown Rigby”

LATEST PIECE

Fine Art

No one is born an artist, or at least that’s what I tell myself. I actually know a few natural-born artists who, of course, have honed their craft and created masterpieces. My self-taught, hack approach has produced nothing but delight (for me!) as I have learned to capture what I see rather than what I know—that pine trees aren’t always green and light does curious things to the eves of a building and elements off in the distance.

Heaven & Earth (16×20, floater frame, $1,250)

Additional Art

About Field Notes

Field Notes began as a practice in mindful attention—capturing fleeting moments and letting meaning emerge. I hope these essays meet you where you are, offering fresh perspective, connection, or an invitation to pause and notice what’s already here. In a world that rushes past the sacred, this is my effort to carve out space for reflection, questions that linger, and the kind of noticing that deepens life.

If it resonates, I’m glad you’re here.

Receive Field Notes in your inbox, every week.

We don’t spam! Read our privacy policy for more info.