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{#48} Routine or Ritual?

The other day, I drove up the canyon to “check if it’s still there,” or so I told my daughter on the phone as I accelerated.

I didn’t have a question in mind as I drove. There’s always something waiting at home—unfinished work, loose worries—and lately there’s even the broader concern of what the winter hasn’t delivered up that way. But none of that explained the drive. It happened almost without forethought or consent.

“He does this daily,” my wife might say.

That possibility hadn’t crossed my mind until I reached the end of my favorite side canyon and turned around.

That turn was familiar. Too familiar.

I didn’t linger. I didn’t get out of the car. I simply pointed the hood back toward home and headed down-canyon, the way I have so many times before. And that’s when it surfaced—not as an accusation, just as a noticing.

I come here a lot.

{#47} Approximate by Design

I first learned to read the clock in abouts.

Half past. Quarter till. Top of the hour. About nine o’clock.

Before atomic time and the internet, even the first digital watches got ahead of or trailed exact time. You adjusted them by feel. A minute fast. A little slow. The clock wasn’t wrong; it was close enough. Time was something you read, not something you obeyed.

It’s harder now for many people to know what the big and little hands on a clock are trying to say. Exactness has become the way we tell time.

Nature, meanwhile, never made that switch.

Seasons arrive early or late. Storms hesitate, double back, or come all at once. Rivers don’t keep appointments. Even light bends, scatters, and arrives with variation. The natural world works in ranges and thresholds—not because it is careless, but because it is alive.

So are we.

{#46} Choosing Play Again

A few weeks ago, I was with my family up the canyon, wandering along a shallow creek. Jack had already tried to jump the creek three times before we arrived. His boots were soaked, pants dripping halfway up his waist. The water was cold—mountain-runoff cold. But he wasn’t bothered. He was delighted. He kept talking about the third jump, how close he’d been, how next time he knew he’d make it.

The discomfort didn’t register; the possibility did.

Watching him, something in me stirred—not envy, but recognition. I remember what that felt like.

It made me think about what it means to play—not the structured kind, not hobbies or recreation, but the unfiltered movement and curiosity kids access without hesitation. I see it every time I’m around anyone under twenty. They move freely, as if their bodies and the world are still in active conversation. Their prefrontal cortex is still developing, dopamine still hits like rocket fuel, and risk exists mostly as a concept—not a barrier. They live one step from a flow state.

{#45} Eagles in the Sky

I had just flipped a U-turn at the top of South Fork Canyon and started heading back down when I saw it—first only a lazy V of a large, dark bird gliding above the road. Its slow, effortless steadiness convinced me it was a raptor. I watched it, curious, until it banked. That’s when the light caught its tail: a bright white flare against the darker mountain slope.

My heart lifted. My foot eased off the gas.

“Look at its tail lights,” my wife said—her perfect name for that bright white patch announcing exactly what we were seeing before the head ever came into view.

It rose and settled on the top of a tall spruce—a bald eagle perched like a sentry where we’d least expected it. It sat for a long moment, fully revealed: white hood, yellow beak, dark body, white tail, yellow talons. No hurry. No fear. Just quiet sovereignty.

Then it launched.

{#44} Storing Sunlight

Trees don’t grow from the ground—they grow from the air.

Here’s how: leaves pull in carbon dioxide, and sunlight breaks the molecule apart, sending the oxygen back into the sky while keeping the carbon.

Step by step, the tree stitches that carbon into sugars, then into cellulose and wood. It’s a slow, steady assembly line powered entirely by light—sunlight turning into substance.

And it raises a curious question: which came first—the carbon dioxide or the leaf? The leaf can’t exist without carbon, yet the carbon doesn’t become anything without the leaf. Life seems to answer by moving in circles, not lines—a continual exchange, each step borrowing from the one before.

Someone recently gifted me this perspective. I was struck—no, dumbstruck—with one more example of Nature’s full-circle nature. Pun intended.

{#48} Routine or Ritual?

The other day, I drove up the canyon to “check if it’s still there,” or so I told my daughter on...

{#47} Approximate by Design

I first learned to read the clock in abouts. Half past. Quarter till. Top of the hour. About nine...

{#46} Choosing Play Again

A few weeks ago, I was with my family up the canyon, wandering along a shallow creek. Jack had...

{#45} Eagles in the Sky

I had just flipped a U-turn at the top of South Fork Canyon and started heading back down when I...

{#44} Storing Sunlight

Trees don’t grow from the ground—they grow from the air. Here’s how: leaves pull in carbon...

{#43} A Swiftly Tilting Planet

Madeleine L’Engle once borrowed this phrase for a story about time, light, and the battle between...

{#42} Names We Hear and Smell, Names We Don’t

“And whatsoever Adam called every living creature, that was the name thereof.” — Genesis 2:19 We...

{#41} Grounded

With the seasons changing, I’m writing this in near-dark early one morning. My screen glows in my...

{#40} Center of Gravity

I took some family members hiking recently to see if we could locate Native American rock art in...

{#39} Worm

In June and July, only the earliest risers catch the quietest hour. Pre-dawn. First light....

Recent Field Notes

{#47} Approximate by Design - I first learned to read the clock in abouts. Half past. Quarter till. Top of the hour. About nine o’clock. Before atomic time and the internet, even the first digital…
{#46} Choosing Play Again - A few weeks ago, I was with my family up the canyon, wandering along a shallow creek. Jack had already tried to jump the creek three times before we arrived.…
{#45} Eagles in the Sky - I had just flipped a U-turn at the top of South Fork Canyon and started heading back down when I saw it—first only a lazy V of a large, dark…
{#44} Storing Sunlight - Trees don’t grow from the ground—they grow from the air. Here’s how: leaves pull in carbon dioxide, and sunlight breaks the molecule apart, sending the oxygen back into the sky…
{#43} A Swiftly Tilting Planet - Madeleine L’Engle once borrowed this phrase for a story about time, light, and the battle between darkness and hope. I’ve borrowed it again because the title itself feels like a…
{#42} Names We Hear and Smell, Names We Don’t - We don’t always see, hear, or smell what others once did. Those who named plants, though, must have. They lingered long enough to catch the quiver, the sting, the fragrance.…

Book—The Meadowlark

Overview

In 1885, southeastern Idaho was the last part of the country to open for homesteading. Young Cassie Rapp arrives with her family to farm a country overrun by sagebrush and lacking water. With others they meet, they harness the mighty Snake River and turn 100,000 acres of barren earth into the rich farm community it is today.

Meanwhile, modern-day character Emma Rose, a notable speaker and business consultant, is trying to make sense of her recently deceased father’s request to be buried in a small Idaho town. Her journey of discovery begins from there.

News, Coverage, and Updates

1,000 copies sold!

Podcast: Interview on “Start Writing #134” (YouTube or all platforms)

Audible audio version now available here.

Read coverage in East Idaho Business Journal – “East Idaho Native captures the feeling of hometown Rigby”

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Fine Art

No one is born an artist, or at least that’s what I tell myself. I actually know a few natural-born artists who, of course, have honed their craft and created masterpieces. My self-taught, hack approach has produced nothing but delight (for me!) as I have learned to capture what I see rather than what I know—that pine trees aren’t always green and light does curious things to the eves of a building and elements off in the distance.

Heaven & Earth (16×20, floater frame, $1,250)

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About Field Notes

Field Notes began as a practice in mindful attention—capturing fleeting moments and letting meaning emerge. I hope these essays meet you where you are, offering fresh perspective, connection, or an invitation to pause and notice what’s already here. In a world that rushes past the sacred, this is my effort to carve out space for reflection, questions that linger, and the kind of noticing that deepens life.

If it resonates, I’m glad you’re here.

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